“Cassavetes clearly believed the self to be a constant bluff, a desperate improvisation launched in heavy fog. He told an interviewer: “People don’t know what they are doing, myself included. They don’t know what they want or feel. It’s only in the movies that they know what their problems are and have game plans for dealing with them.” The closest thing Cosmo has to a game plan is: The show must go on. In one hilarious scene, en route to his prospective hit job, he stops in a phone booth to check up the evening’s performance: what number are the girls and Teddy doing? He berates his help for not knowing the acts better after all these years. At bottom he is a man of the theater, at its most Fellini-esque and flea-bitten. He understands two things: “I own this joint” and “Everything takes work; we’ll straighten it out.” You do your job the best you can, even if it’s just shaking your tits onstage in the no-win situation life hands you. It is this sort of philosophical stoicism that informs much of the nobility in Cassavetes’ grubby universe.”
Trailer for The Killing of a Chinese Bookie